Jim, Cambridge
I think it's important to mention the other common time signature used in pop songs: 6 beats to the bar (6 / 8 time). Widely used in doo-wop in the '50s, it has a distinctive, catchy feel to it. A couple of great examples of the use of 6/8 time are 'Blueberry Hill' (sung by Louis Armstrong) and the Beatles' 'Oh Darling' from Abbey Road.
Berni Messenger, Hounslow
Actually, I think "Four to the floor" is a derivation of "Four on the floor", a phrase that used to describe the configuration of a gearbox in a car, i.e. four forward gears operated from a floor mounted lever.
The alternative configuration (in older vehicles) was "Three on the tree", meaning three forward gears operated from a lever mounted on the steering column.
Check it out with Clarkson & co.
p c bushbaby dunfermline
i have played and recorded with my band for years and tempo has always been an issue. i feel we should play live and record in strict time but we have discovered songs seem to lose a lot of feel and
changes from verse chorus etc become very square and unnatural when following a click would like to hear other songwriters views on this. or do we just need to learn to play in time?
Anon
I recently attended a bat mitzvah at which the girl's voice sounded marvelous as she chanted the torah. If I understand tempo right, then the chant should be sang at approximately 200bpm. She seemed to have difficulty keeping that tempo. The point I suppose I'm making is that tempo is important to making good music sound good.
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